Thursday, October 25, 2018

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Carnegie Mellon University is home to a variety of unique traditions, some of which date back to the early days of its over 100-year history. Many of these traditions hearken to the universitys strength in engineering, such as the buggy races and the mobots, while others are purely social in nature, such as Spring Carnival and The Fence.

The alma mater of Carnegie Mellon University was written by Charles J. Taylor and set to music by J. Vick OBrien when the university was still known as Carnegie Institute of Technology. The song was copyrighted by the institute in 1924.

While not as commonly used as at some other universities, the alma mater plays a critical role in the culture and history of Carnegie Mellon University. It is sung at convocation ceremonies of incoming classes, commencement ceremonies of graduating classes, and other official events such as the investiture of new presidents. The universitys Kiltie Band plays it at certain home games as well.

The full song is composed of three verses. However, usually, only one the first verse is usually performed.


The first verse references history of Pittsburgh, Pennsylvania where the university is located. In the late-18th Century, after the United States won its independence, the settlement at the present day city of Pittsburgh was known as the frontier and the Gateway to the West. The verse describes the presence of the wildernesses through which the original westward-bound settlers had to get through in order to reach their goal. The verse ends with a prideful intonation that Carnegie Mellon was founded in this storied city by Andrew Carnegie.Note that this verse is usually the only one sung in modern day. It is rare for the other two to be performed.

The second verse begins with Pittsburghs crucial role in the early days of the nations founding as the frontier and Gateway to the West. It then goes on to reference the long history of the labor movement in the citys history through the Antebellum Era and Gilded Age. Upon its founding in 1900, Andrew Carnegie had intended the university to be a vocational school for the children of the workers of his steel mills. As time went on and the university progressed from its founding, it embraced the arts as exemplified by the fact that its Carnegie Mellon School of Drama is the oldest degree-granting program in the country while continuing to focus on its technical and scientific education. To this day, the university maintains a very strong collaborative culture between all of the constituent colleges ranging from the arts to the sciences as exemplified by the unique BXA program offered.

The last verse references the universitys dedication to excellence and academic excellence while maintaining high quality teaching. It references the increasing reputation of the institute nationally and globally and intones that it should continue its pursuit of collecting and disseminating knowledge.

The first great tradition at Carnegie Mellon is The Fence, built in 1923, which lies in the middle of the Cut. The Fence frequently displays witty or poignant messages, but is just as often used to advertise upcoming events or recent accomplishments. Because of its highly visible location on campus, it is an ideal place to proclaim ones message to as much of the student body as possible. The original wooden fence was replaced in 1993 when it collapsed under its own weight due to six inches of surrounding paint. At the time, it held the Guinness World Record for being the most painted object. Today, a concrete and steel reinforced fence stands where the original one stood, imitating the size it would be today. Students still paint the fence in an effort to break the record held by the original as the worlds most painted upon object. Currently the fence has four inches of paint.

The Fences origins date back to the early days of Carnegie Institute of Technology when The Cut was still a valley that separated the Carnegie Tech buildings from the Margaret Morrison womens school. Over the valley spanned a bridge which the men of Carnegie Tech realized was a strategic spot for meeting the women of Maggie Mo as they crossed the cut. However, when The Cut was filled in to form the current-day grassy field, the bottleneck disappeared. In its stead, the administration erected a fence to stand in as a meeting spot. However, the universitys students took a negative view of the structure, not understanding the point of it. The administration was just about to give up and tear it down when the night before its scheduled removal a fraternity painted The Fence in the middle of the night, advertising a party on campus. The party turned out to be a huge success, as has the tradition of painting the fence. The administration relented on their plans for removing the fence.

In August 2008, the graduating class of 2008 at the Carnegie Mellon Silicon Valley Campus brought the tradition to California by installing their own version of the fence, and dedicating it to Randy Pausch, who died in that year.

Tradition dictates that The Fence only be painted after midnight and before sunrise, and only in its entirety. It must be painted by hand using brushes. If it is painted with spray paint or rollers, the painters would be cited for vandalism. A group wishing to paint the Fence must station two representatives, or "guards", on the small gravel region surrounding it. As long as two guards remain within the boundary, no other group may "take" the Fence. This sometimes leads to groups setting up a tent or campsite just inside the boundary so that they may "hold" the fence for an extended amount of time. It is also unwritten etiquette that if another group needs the Fence to advertise one of their upcoming events, the current holders should turn the Fence over to that group. This often leads to extended periods of time when the Fence is passed between groups in an organized fashion.

On March 21, 2011, six freshman Carnegie Mellon students defaced the fence. They were stopped by fellow students, CMU Police Officers, and representatives from the Office of Student Affairs. A hacksaw was used to cut away over two years worth of layers of paint. The following night, hundreds of CMU students helped paint the fence in an effort to "heal" it. Facilities Management Services has taken the responsibility of repairing the fence. Instead of gluing it back together, the chunks were removed on March 23, leaving dozens of different layers visible.

The Fence is used not only to advertise upcoming events for a variety of organizations, but also to recognize different political views, religious or ethnic holidays, as well as support those on campus that may feel underrepresented.

Usually held in April, Spring Carnival is the biggest event of the Carnegie Mellon school year. Students have a four-day weekend to enjoy the Carnival festivities. Many students work hard all year to make it a success, and the Pittsburgh community is invited to attend. Alumni often return for the festivities, and Reunion coincides with the weekend. Spring Carnival features "Midway", with all the standard carnival attractions, and a Buggy race which is run over the course of the weekend. Many organizations across campus construct both a booth for Midway and a buggy for Sweepstakes. Judges decide on winners in several different categories.

Buggy, officially called Sweepstakes, is a race around Schenley Park. It can be thought of as a relay race with five runners, using the buggy vehicle as the baton. Entrants submit a small, usually torpedo-shaped, vehicle that is pushed uphill and then allowed to free-roll downhill. The driver (who–like all participants–must be a Carnegie Mellon student, and is almost always short, light, and female) lies down inside the vehicle with the steering and brake controls. The vehicles are completely unpowered, including the prohibition of energy storing devices such as flywheels. Brakes are required but generally rarely used. Often, brakes are applied only as a last resort to prevent a crash, or to slow the buggy at the finish for the pusher to catch up because the rules specify that the pusher must be in contact with buggy at the finish line or be disqualified. Drivers who have been forced to apply the brakes due to another driver cutting them off may appeal for a re-roll in another heat without penalty. The second-to-last corner of the race, a sharp 110-degree right turn, is affectionately called "The Chute" and is lined with hay bales to prevent potential driver and spectator injury. Speeds can be quite high in the chute, often in the vicinity of 35 mph. Student Dormitory Council (SDC) holds the current mens record of 2:02.16 and the current womens record of 2:23.27, both set in 2017.

For many years extensive experimentation and innovation evolved buggy designs. Prior to 1980 the primary format used 4 wheels in a symmetrical layout with respect to the direction of travel. Exceptions to this did occur with both 3-wheeled buggies and 2-wheeled "bikes" being entered on occasion. Since 1980, new materials, braking systems and wheel orientations provided significant opportunity for experimentation. Alignment of wheels received particular attention. The first successful 3 wheeled buggys were developed in the early 80s led by Pi Kappa Alpha (PiKA) and Sigma Nu. Development of two wheeled buggies by Delta Upsilon from 1986–1989 continued the theme of wheel alignment. In 1988, Delta Upsilon broke the course record with a time of 2:08.5 – a record that stood only briefly as SPIRIT surpassed that time later that day and further lowered the record time the following day. Two wheeled buggies were later eliminated from competition for safety reasons through modifications to the rules.

PiKA and SPIRIT took every Sweepstakes championship from 1986 until 2000 when SDC won the womens race and 2001 when Fringe won the mens race. PiKA continued its success in the 2000s, setting the consecutive wins record by winning for seven years in a row (2002–2008). SDC took the title in the mens race in 2009 breaking PiKAs streak and setting a new record. Fringe took the mens title in 2010 after a dominant SDC was removed from competition due to an alleged fire safety violation. Fringe took the mens title again in 2011 in beating SDC A by 1 second, with SDC B and C teams taking 3rd and 4th, while SDC reclaimed the Womens title. The defending mens champion is SDC with eight consecutive wins from 2012 through 2019, which is the record for most wins in a row. The current womens title is also held by SDC (2017, 2018 and 2019).

Live media coverage of the Sweepstakes races has historically been provided by WRCT-FM, the schools student-run radio station. In recent years, campus television station cmuTV has broadcast live video coverage of the races with commentary from WRCT-FM. In the fall of 2008 the Buggy Alumni Association was founded to preserve the history of the sport, assist with keeping alumni connected to the event and assist the current students in maintaining the races continuing existence. The race videos are available on DVD from cmuTV after the races end.

For Carnival Weekend, the College of Fine Arts parking lot is turned into "Midway." Midway features both booths and carnival rides. Booths are multi-story structures constructed by campus organizations, featuring (usually) free games and cheap giveaway prizes. The booths are intricate, multi-level affairs, showing off the creativity and energy of the students who construct them. The Friday of the week before Carnival is known as "Move On", and is when all the organizations who are building booths move their supplies, materials, tools, and pre-fabricated components onto Midway. Build week commences from that Friday night, and for the entire week, organizations steadfastly build their booths, preparing for the official opening of Midway at 3:00 pm the following Thursday. Each year, an overall theme for booths is chosen. Booth has four competitive categories. These include: fraternity, sorority, independent, and blitz (smaller booths). Each organization chooses a sub-theme and builds their booth accordingly. The construction of these booths is a competition and each booth is judged on various criteria, including both daytime and nighttime appearance, adherence to theme, game playability, environmentalism, and appropriateness of prizes.

Midway also features portable carnival rides that are brought in and set up, along with standard carnival concession food. Various musical acts, improv comedy troupes, and other performances are staged in a nearby tent running throughout the weekend and providing a backdrop to the entire spectacle.

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